Writing

If you'd like access to any of my paywalled writing but don't have institutional access, please email me at hi@{this domain}, and I'll be happy to send you what I can.

Recent

“Sex and Technics: Sexual and Spatial Technics in Ma vraie vie à Rouen.” Film Criticism 47, no. 1 (Fall 2023).

“New Histories of Computational Personhood” (PDF download). With Kris Cohen. JCMS 61.4 (Summer 2022): 158–62.

“On the Impersonality of Experience: Psychoanalysis, Interiority, and the Turn to Affect.” In The Oxford Handbook of Film Theory, edited by Kyle Stevens (New York: Oxford University Press, 2022), 626–45.

“Feelings.” In A Concise Companion to Visual Culture. Edited by Aubrey Anable, A. Joan Saab, and Catherine Zuromskis (New York: Wiley-Blackwell, 2021), 439–55.

Books

Find Each Other: Networks, Affects, and Other Queer Encounters. Currently under contract with Duke University Press.

Cinema's Bodily Illusions: Flying, Floating, and Hallucinating. University of Minnesota Press: 2016.

Older articles and book chapters

“On Learning to Fly at the Movies: Avatar and How to Train Your Dragon,” Journal of Narrative Theory 46, no. 2 (Summer 2016): 254–83.

“The Persistence of Formalism,” Open-Set, special issue, “The Persistence of Form” (October 1, 2015).

“Vulgar Boredom, or What Andy Warhol Can Teach Us About Candy Crush.” Journal of Visual Culture 14, no. 1 (April 2015): 21–39.

“Introduction: Cinematic Identifications.” With Elizabeth Reich. Film Criticism 39, no. 2 (Winter 2015): 1–22.

“The Exorbitant Lightness of Bodies, Or How to Look at Superheroes: Ilinx, Identification, and Spider-Man,” Discourse 34, no. 1 (Winter 2012): 113–44.

“‘Dude, that’s just wrong’: Mimesis, Identification, Jackass.” World Picture 6 (Fall 2011).